a literary and visual arts journal
So if I live a modest life I won’t know what it means
when the pipes burst or the banks bust. Either means
money I don’t have. Meat the Earth has. I’ve wanted
to travel but I know airplane fuel results in polar bears
dying on dry soil. Think Coca-Cola commercials with
the Arctic night preternaturally night. No snow, no
snow, and after airtime you crave Coke.
At Kelly’s, in the chokehold of August humidity,
we drink a pitcher of water before noticing–
like a brain of gum underneath a support–
a cigarette butt lodged at the bottom.
When we show our server, she shouts fucking
savages! This is why we can’t keep anything
outside. I tell my partner, if it makes you feel
better, it’s what we can’t see in the water
that will kill us. We get a free beer but, for
once, we’re aware of the toxin. It doesn’t matter,
though, being thirty-one with thirty-one years
to go. Twenty-fifty is when we will see
the clouds ignite. She says I want to say
we’ll be okay but I know there’s no way.
The Amazon’s in flames and hordes of
whales wash up on California’s plastic
shores. The water wars are coming from
actions of fascists and– the next day,
at the office, a narcissist colleague
sticks his dead cigarette into the soil of
one of our tomato plants on the balcony
outside the front door and he must think–
oh, as we find it cooling at sunset–
he thinks there will be no consequences.
James Croal Jackson (he/him/his) is a Filipino-American poet. He has a chapbook, The Frayed Edge of Memory (Writing Knights Press, 2017), and recent poems in DASH, Sampsonia Way, and Pacifica. He edits The Mantle Poetry (themantlepoetry.com) and works in film production in Pittsburgh, PA.